What do Best Cover Practices Mean?
duciel
…and who gets the last word?
Recently I was asked to mediate what appeared, on the surface, to be a disagreement between a publisher and her circulation manager on the matter of the newsstand cover.
The circulator, when reviewing a cover concept, pointed out some best practices in terms of placement of cover lines, clarity of cover lines, and specificity of cover lines. The publisher’s position was that best practices in general might not be best when applied to her high-end audience; in fact a cover based on best practices might be misleading, by giving the impression that the material covered in the magazine was more accessible than in fact it was.
As I looked at the specifics of both their positions, it seemed to me that there was less distance between them than originally appeared. Of course there is that initial gulf that must always be bridged in cover design: for the editorial department, the cover is almost always viewed as part of the editorial; for the circulator, the cover is first and last a marketing piece. It is the packaging of the publication, and its role is to draw in the reader, to make a sale.
One thing that tends to annoy editors is that best practices tend to be quite general and also—and we can be honest here—to appeal to theleast common denominator. For this reason they can appear to be the enemy of creativity. (They are not). Still, they are best practices for a reason: they work.
At the same time there is room for some give and take on a newsstand cover. After all, It’s only through taking risks and turning over the established order that new best practices are created.
The publisher understands the audience; he or she understands the content. The circulator understands the principles of marketing. Both are important elements—actually, both are indispensible. How to reconcile them when there is an apparent difference?
From the side of the editorial department, there needs to be a recognition that as long as the publication is on the newsstand it is being presented as a consumer product. There are established principles as to how to appeal to a newsstand browser: tried and true ones, ones that have been proven to work. These include certain sales principles: cover lines should emphasize benefits, not features (WHY does the buyer want to read about this concept/practice/widget?). Cover lines should be legible from a distance of 6-8 feet (after all, that’s where the browser stands when scanning the rack). Cover lines should match or refer to the image, which in general should reference the lead cover story. And covers should have an appeal that reach out, at least just a little, from the core group of committed enthusiasts already subscribing to the publication.
And from the side of the circulator, there must be a recognition that there are certain things a cover just can’t do. Chief among them is promising anything that isn’t delivered in the publication. Sure, newsstand readers are practical, hands on; they are looking for solutions. But if the publication doesn’t deliver a how-to editorial, then we just can’t make the cover into a how-to cover. We need to work with what is real as well as what has the broadest possible general appeal for the category.
From a circulation point of view, we don’t want to create an atmosphere where our publishers feel we are trying to force our best practices down their throats at the expense of their creativity or their relationship with their reader. Best practices are guidelines to help a publisher, or an editor, or an art director, to understand how to appeal to a newsstand browser on the level of clarity, benefits, and practical application. They are not intended to force them into a cookie cutter approach to their covers, or to ask the to present her product as something that it isn’t.
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